Material: sandpapers, stirofoam, polyurethane, wood
Dimensions: 40 x 1.40
Year: 2025
It raises the experience about the relationship between human existence and the constant interaction with the world around us. The conception of the human figure as a composition of signs, expressing ongoing change and uncertainty, reflects the interdependence of man with his environment, and in particular with the sea and the atmosphere, where boundaries are fluid and invisible.
At the sea surface, the distinction between sea and atmosphere does not exist. This union of the elements, air and water, gives rise to a sense of suspended existence, where human is constantly in a state of floating, i.e. at one with the whole of nature and its conditions. The use of these signs, these simple papers that capture the process of friction and alteration, relates the evolutionary course of human. The papers, as they are worn and modified during their contact with the marble, become symbols of the fluidity of existence and change that constantly affect human, without allowing for complete stability or precise measurement of time and space.
We observe human as a whole. The signs do not remain static in the human form, but escape and disperse in the surrounding space, expressing the interdependence of the individual with reality, placing the human being in a constant movement and transition.With the title “My Suns and Moons”, I bring my own personal dimension to the process. The papers I choose are not just tools, but elements that define my identity , and as I have spent many suns and moons shaping the marble with them I now express the suspended existence in the space of uncertainty and fluidity of both the human body and the world around us, pointing to composition and transition as a continuous process where the boundaries are never clear, but always open and ongoing.
